Triangle Raku Cabochon Ceramic Jewelry Supply Handmade by MAKUstudio
Super crusty and weird!! This triangle is the one that I posted on social media that looked like the crazy science experiment gone wrong. It had all the spiky white powder when it came out of the first (bisque) firing. I brushed it off, then glazed it, and raku fired it. This is how it turned out. Looks like a long lost treasure that was just dug out of an archaeological dig!
A funky triangle cab for you to use in your own design! Great for bead embroidery, metal smithing, and wire wrapping! Or, simply glue on a bail and use it as a pendant!
*I handmade this cabochon out of clay
*Bisque fired, glazed, and raku fired in my studio
*Satin, matte, glossy; crusty blue, copper, purple, gold raku glaze colors; fine silver fired directly onto the piece; black from the raku firing process where there is no glaze
*Triangle raku cabochon measures about 100 mm x 48 mm
*Signed by the artist (that's me!) on the back "MAKU"
Thanks for looking! Hope you enjoy my art!
THE RAKU PROCESS:
Raku is fragile, please handle with care. Raku pottery was made long ago for Japanese tea ceremonies. It was modernized later into the process you see today. This involves taking a piece of pottery that has been bisque fired and glazed then firing it in a raku kiln. The piece is then fired to about 1800 degrees F and pulled out of the kiln while still red hot then placed in a reduction chamber containing organic materials such as newspaper, sawdust, leaves, etc. The materials catch on fire, the lid is put on very quickly and carefully. The fire wants oxygen to keep going and flames often shoot across a piece, pulling oxygen from the glaze. The matte black color (a very unique characteristic of raku) is created where there is no glaze. It's so exciting and creates one of kind colors which are very hard to duplicate. Please note that raku is not food safe nor is it intended to hold liquid.
Caring for your raku piece:
Raku is fragile, please handle with care. Keep your raku in an air tight container or zippered bag when storing. Do not swim or leave your piece in water. Keep your piece out of direct sunlight for prolonged periods of time, as it will affect the glaze. I wash my pieces very well, but on occasion you will see some ash residue that will rub off from the parts that are not glazed. This will come out of your clothing with no problem, but if it concerns you, you can paint clear nail polish on the back of a piece.
Super crusty and weird!! This triangle is the one that I posted on social media that looked like the crazy science experiment gone wrong. It had all the spiky white powder when it came out of the first (bisque) firing. I brushed it off, then glazed it, and raku fired it. This is how it turned out. Looks like a long lost treasure that was just dug out of an archaeological dig!
A funky triangle cab for you to use in your own design! Great for bead embroidery, metal smithing, and wire wrapping! Or, simply glue on a bail and use it as a pendant!
*I handmade this cabochon out of clay
*Bisque fired, glazed, and raku fired in my studio
*Satin, matte, glossy; crusty blue, copper, purple, gold raku glaze colors; fine silver fired directly onto the piece; black from the raku firing process where there is no glaze
*Triangle raku cabochon measures about 100 mm x 48 mm
*Signed by the artist (that's me!) on the back "MAKU"
Thanks for looking! Hope you enjoy my art!
THE RAKU PROCESS:
Raku is fragile, please handle with care. Raku pottery was made long ago for Japanese tea ceremonies. It was modernized later into the process you see today. This involves taking a piece of pottery that has been bisque fired and glazed then firing it in a raku kiln. The piece is then fired to about 1800 degrees F and pulled out of the kiln while still red hot then placed in a reduction chamber containing organic materials such as newspaper, sawdust, leaves, etc. The materials catch on fire, the lid is put on very quickly and carefully. The fire wants oxygen to keep going and flames often shoot across a piece, pulling oxygen from the glaze. The matte black color (a very unique characteristic of raku) is created where there is no glaze. It's so exciting and creates one of kind colors which are very hard to duplicate. Please note that raku is not food safe nor is it intended to hold liquid.
Caring for your raku piece:
Raku is fragile, please handle with care. Keep your raku in an air tight container or zippered bag when storing. Do not swim or leave your piece in water. Keep your piece out of direct sunlight for prolonged periods of time, as it will affect the glaze. I wash my pieces very well, but on occasion you will see some ash residue that will rub off from the parts that are not glazed. This will come out of your clothing with no problem, but if it concerns you, you can paint clear nail polish on the back of a piece.
Super crusty and weird!! This triangle is the one that I posted on social media that looked like the crazy science experiment gone wrong. It had all the spiky white powder when it came out of the first (bisque) firing. I brushed it off, then glazed it, and raku fired it. This is how it turned out. Looks like a long lost treasure that was just dug out of an archaeological dig!
A funky triangle cab for you to use in your own design! Great for bead embroidery, metal smithing, and wire wrapping! Or, simply glue on a bail and use it as a pendant!
*I handmade this cabochon out of clay
*Bisque fired, glazed, and raku fired in my studio
*Satin, matte, glossy; crusty blue, copper, purple, gold raku glaze colors; fine silver fired directly onto the piece; black from the raku firing process where there is no glaze
*Triangle raku cabochon measures about 100 mm x 48 mm
*Signed by the artist (that's me!) on the back "MAKU"
Thanks for looking! Hope you enjoy my art!
THE RAKU PROCESS:
Raku is fragile, please handle with care. Raku pottery was made long ago for Japanese tea ceremonies. It was modernized later into the process you see today. This involves taking a piece of pottery that has been bisque fired and glazed then firing it in a raku kiln. The piece is then fired to about 1800 degrees F and pulled out of the kiln while still red hot then placed in a reduction chamber containing organic materials such as newspaper, sawdust, leaves, etc. The materials catch on fire, the lid is put on very quickly and carefully. The fire wants oxygen to keep going and flames often shoot across a piece, pulling oxygen from the glaze. The matte black color (a very unique characteristic of raku) is created where there is no glaze. It's so exciting and creates one of kind colors which are very hard to duplicate. Please note that raku is not food safe nor is it intended to hold liquid.
Caring for your raku piece:
Raku is fragile, please handle with care. Keep your raku in an air tight container or zippered bag when storing. Do not swim or leave your piece in water. Keep your piece out of direct sunlight for prolonged periods of time, as it will affect the glaze. I wash my pieces very well, but on occasion you will see some ash residue that will rub off from the parts that are not glazed. This will come out of your clothing with no problem, but if it concerns you, you can paint clear nail polish on the back of a piece.